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DTSTAMP:20260415T233234
DTSTART:20140116T170000
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URL:https://murmitoyen.com/events/vanille/udem/detail/360012
LOCATION:Université de Montréal - Carrefour des arts et des sciences\, 31
 50\, rue Jean-Brillant \, Montréal\, QC\, Canada\, H3T 1N8
SUMMARY:'Unlearning' modernism: Roger Fry and the invention of 'post-impres
 sionism'
DESCRIPTION:Conférence d'Elisabeth Otto (3e cycle). This talk explores the
  assimilation of « antimodernisms » into a formalist model of modernism 
 at the beginning of the 20th century by the English scholar\, painter and 
 curator Roger Fry. We argue that even before Fry encountered with the work
  of Cézanne in 1906\, and curated the two landmark « Post-Impressionist 
 » exhibitions in 1910 and 1912 – moments which are generally considere
 d to have fostered his formalist theory –\, he had found fundamental mat
 erial addressing what would be a major theoretical issue for him later on 
 in Joshua Reynold's Discourses.Reynolds had not only been a model as an ar
 t critic but also in his appreciation of the so called ‘primitive art’
 . In publishing his own edition of Reynold´s Discourses in 1905\, we alre
 ady see Fry's conviction that cultural regression is a necessary return to
  a starting-point from which art could evolve again. Répondante : Ji-Yoon
  Han • • • Les conférences Hypothèses proposent une série de renc
 ontres autour des recherches menées par les étudiants des cycles supéri
 eurs en histoire de l'art au Département d'histoire de l'art et d'études
  cinématographiques de l'Université de Montréal. Hypothèses a lieu un 
 jeudi par mois\, de septembre 2013 à avril 2014.
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