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DTSTAMP:20260414T193919
DTSTART:20150218T160000
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URL:https://murmitoyen.com/events/vanille/udem/detail/560887-conferences-hy
 potheses-symposia-whos-afraid-of-bubbling-images-
LOCATION:QC\, Canada
SUMMARY:Conférences HYPOTHESES Symposia : Who's Afraid of Bubbling Images 
 ?
DESCRIPTION:• John Toohey (PhD candidate\, Concordia University)FRED JU
 DGE'S LANDSCAPES OF FEARAmong the postcard views of Britain that Fred Judg
 e produced between 1904 and 1924 are scenes that reveal profound shifts in
  nineteenth century perception of the landscape. Tracts of wilderness that
  had once been considered dangerous were now popular picnic spots\, with l
 ittle physical change to the site taking place. Other fears\, of imminent 
 invasion and of the weather wreaking havoc\, have survived. Applying curre
 nt theories of landscape history relevant to how the landscape has been pe
 rceived\, we will see that within apparently innocuous images aimed at the
  tourist market lies evidence of a society's anxieties and vulnerabilities
 .• Shana Cooperstein (PhD candidate\, McGill University)HOW BUBBLES GA
 INES CURRENCY: REALISM\, PERCEPTION AND SPECULATION IN EIGHTEENTH-CENTURY 
 BRITAINI argue that in eighteenth-century Britain\, bubbles became a metap
 hor referring both to the fatuous and deceptive. Satirists often exploited
  the ephemeral\, allusive nature of these phenomena to symbolize delusion\
 , or a species of mere appearance that only fools mistake for substance. T
 hus\, this paper maps a particular domain of the symbolic as this concerns
  representations of the deceit and cunning capable of capturing and mislea
 ding the popular imagination. Overall\, I reveal how the characteristics o
 f bubbles\, such as that they are reflective\, wet and generate ephemeral 
 and optical illusions\, allowed them to serve as a way to thing about part
 icular operations of the intellect and imagination\, and became a signifie
 r for financial speculation.Président | Chair : DANIEL FISET (3e cycle\, 
 Université de Montréal)• • • CONFÉRENCES HYPOTHESES SYMPOSIA 
 • • •Hypothèses est une série de conférences mensuelles\, organi
 sée par et pour les étudiants des cycles supérieurs en histoire de l’
 art des quatre universités montréalaises. La formule\, développée depu
 is 2011 à l’Université de Montréal\, vise à stimuler la relève en h
 istoire de l’art à Montréal\, diffuser les recherches émergentes dans
  la discipline\, tout en encourageant les interactions entre le milieu aca
 démique et tous les publics. Les rencontres ont lieu un mercredi par mois
 \, de septembre 2014 à avril 2015\, à partir de 16h\, au Salon du Musée
  des beaux-arts (pavillon Jean-Noël Desmarais\, niveau 2). Bienvenue à t
 ous !Hypotheses is an Art History symposium series\, organized by and for
  students (master’s and doctoral) from Montreal universities. Its goal i
 s to promote and disseminate emerging research in the discipline. The prog
 ram\, first developed at the University of Montreal in 2011\, encourages d
 iscussion and debate between young researchers across institutional bounda
 ries\, acts as a platform for discussion and reflection\, and encourages c
 ross-fertilization of ideas between academia\, the museum community\, and 
 the public at large. Symposia are held monthly on Wednesdays\, from Septem
 ber\, 2014\, to April\, 2015\, in the Lounge of the Montreal Museum of Fi
 ne Arts (Jean-Noël Desmarais Pavilion\, level 2). Welcome to all !
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